Available Artwork
Carol Fabricatore, Paper Birch, 2024, acrylic on paper, 20 x 16 in.
Echoes of Place
July 16 – August 7, 2026
NYAE offers an exhibition featuring the works of artist members Carol Fabricatore, Susan Greenstein, and Janet Pedersen, who interpret the natural and built environment through a blend of direct observation and studio exploration. Whether depicting picturesque getaways, gritty highway overpasses, or scenes from one's own backyard, the collected works belie a heartfelt novel experience—as if what is being depicted has never been experienced before—by the artist or anyone else for that matter. Working variously on location, from memory, or somewhere between the two, these artists return to the studio not to document place, but to reimagine it through observation, abstraction, and spontaneous mark-making.
Previously On View
Nose to Tail
June 11 – July 11
Curated by Patricia Fabricant and Jeanne Heifetz, “Nose to Tail” celebrates the generative possibilities of the decision to let nothing in the studio go to waste. The artists in the show repurpose studio materials that serve a practical function, or the outtakes and offcuts from other works, finding sustenance in happy accidents that become artworks in their own right.
Participating Artists: Damien Berdichevsky, Patricia Fabricant, Joan Grubin, William Holton, James Lecce, Jessica Nissen, Jason Rohlf, Gabrielle Shelton, Oriane Stender, Audrey Stone, Shira Toren
Previously On View
Linnea Paskow, Plastic Eden (Fire), 2025, mixed media (acrylic and oil) on drop cloth, 72 x 108 in.
Linnea Paskow, Ecstatic Collapse
May 14 – June 6, 2026
In Ecstatic Collapse, her inaugural solo show at Equity Gallery, artist Linnea Paskow debuts a cycle of vibrantly colored works painted on salvaged drop cloths that reference the classical elements as luminous incidents fragmenting from environmental overload.
Previously On View
Carol Diamond, Cascade, 2026, repurposed glass, metal, epoxy, paint, marble, 16 x 13 x 10 in.
Carol Diamond, Go Ahead, Make Me
Carol Diamond presents Go Ahead, Make Me in Equity’s project space. Foregrounding the desperation and devotion of a dumpster dive, Diamond teases twisted metal, shards of glass, and concrete bits into elegiac scores that wedge beauty into the crosshairs of fragility and resilience.
May 14 – June 6, 2026
Previously On View
Aaron Brodeur, Crutch, 2023, cement, styrofoam, wood, wire, acrylic, 36 x 15 x 10.5 in
Aaron Brodeur, is it going good in the garden?
Painter and sculptor Aaron Brodeur takes on Equity’s courtyard with Is it going good in the garden? an installation of hybrid works that position urban relics, activated with painterly surface treatments, as eroding landmarks guiding a disquieting journey through unstable territory.
May 14 – June 6, 2026